Monsters: Classic Supernatural Television Anthology

Each Monsters episode begins with the monster family gathered around the television, waiting for their favorite show.

Each Monsters episode begins with the monster family gathered around the television, waiting for their favorite show.

 

We begin with a view of earth from the sky and move in closer to a small, suburban town with carefully plotted streets and homes that all resemble each other, typical of a 1950s neighborhood. The camera focuses on one home, then moves into the living room as Mom comes from the kitchen with a bowl of snacks in her hands. “Honey, it’s family hour. There must be something on,” she says as her husband tosses the television guide behind his chair in an act of frustration.

It appears to be a typical weeknight in an average American home, but Mom does not look as typical as she sounds. She only has one eye, and it is in the center of her forehead. She also has two short horns protruding from her forehead alongside the eye. Her young child, wearing a cute set of overalls and sitting in front of the television leaps to her feet and turns around to exclaim, “Oh wow! Candy Critters!” as she lifts the lid from the snack dish. She also has one eye and a small growth of horns. Mom sits down in her rocking chair. The child sits on the floor at the feet of her parents. Dad, seated in the chair beside the his wife, has control of the remote. He is wearing a suit and tie and has a head that resembles a vomitous green version of the creature from the classic horror film, “The Blob.”

Dad changes the channel. “Oh great!” Mom exclaims. “It’s Monsters, our favorite show. “The eerie opening music comes to an end with the sinister laughter of the father, and the show begins.

Monsters for Every Taste

Monsters was a production of Laurel Entertainment, Inc. and ran for three seasons, from 1988 to 1990 for a total of 72 episodes, 24 per season. This half hour anthology series offered a wide variety of creatures and the shows are generally categorized as either horror or science fiction.

The show was produced by Richard P. Rubinstein, who also produced Tales from the Darkside, and like Tales from the Darkside, some of the shows are spectacular, and others are simply mediocre, though they did attract many popular writers of the time, including Stephen King. There were numerous writers who produced works for this show, though, including Edith Swensen who wrote six scripts and the team of Peg Haller and Bob Schneider who wrote five episodes.

Unlike Tales from the Darkside, the shows on Monsters focus on one fantastic fantasy creation–the monster. In fact, the focus is completely on the monster. There is some action, interesting plots, and ironic endings, but the monster is definitely the focus of the show. There is also a generous mix of humor with horror in the shows, particularly obvious in some performances, such as “Small Blessings,” which is about a beastly baby who is so ferocious that his parents suspect he is committing crimes in the neighborhood.

Obviously, there was extensive use of makeup, wild costumes and theatrical effects used on the shows to create the monsters, and there was a wide range of monsters, from fantastical creations to aliens, vampires, ghosts, witches, and zombies. Some of the shows, such as “Jar,” which has a hint of film noir, also include sexually explicit scenes, as well, and some shows expose bare breasts, so the intended audience is clearly adults.

Actors Love Monsters, Too!

The list of actors appearing on the show is impressive, and include Lili Taylor who appeared on Monsters early in her career; David Spade, Kevin Nealon and Julie Brown, former cast members on Saturday Night Live; Tony Shalhoub who co-starred in the popular television shows Wings and Monk; Gina Gershon who co-starred in the popular film Face/Off; rock star Deborah Harry; and Steve Buscemi, who has won numerous acting awards including a Golden Globe and has also appeared in over 126 films.

This show has two consistent characteristics to watch for–the monster, of course, and the ironic ending. A few of the more popular shows in this series include “Jar,” with its unique country farm style version of film noir; “Small Blessings,” which has a great example of the ironic twist ending; “Leavings,” with its fine acting by Tony Shalhoub; and Stephen Kings’ “The Moving Finger.”

Although re-runs still occasionally appear on the SyFy channel, Monsters is currently appearing on the cable channel Chiller TV.  Since this show is also an anthology, the episodes will be discussed individually on this blog. Stay tuned…